The making of a documentary about legendary Southern chef Bill Neal teaches his son, Matt, new things about his late father

Matt and Sheila Neal moved into the Carrboro home where Matt's father,
Bill Neal, lived. In the attic they discovered boxes filled with items from
Bill's life, some of which was used to create footage for the film
"They Came for Shrimp & Grits: The Life and Work of Bill Neal."
Indy Week photos by Alex Boerner.

Matt Neal has been interviewed many times about his famous father, the chef Bill Neal.

He has answers about how Neal, a small-town North Carolina boy who taught himself to cook by working his way through Julia Child's Mastering the Art of French Cooking, achieved so much in so little time. By his mid 30s, the elder Neal had helmed two essential Triangle restaurants and written a book, Bill Neal's Southern Cooking, that became a landmark of the region's cuisine. He was arguably the cook who made shrimp and grits a staple of contemporary Southern cuisine.

The gracious co-owner of Neals' Deli in Carrboro has even decided there's no point in getting offended when asked about the end of his parents' decade-long marriage or his father's romance with Gene Hamer, a colleague at La Residence and partner at Crook's Corner. He's even accustomed to being asked how it felt when, in 1991, his charismatic father died from AIDS at the age of 41.

click to enlarge

• Kate Medley and her fellow filmmaker, Jesse Paddock, left, recently completed the film "The Came for Shrimp & Grits: The Life and Work of Bill Neal." 

So when Matt agreed to be interviewed yet again last spring for a documentary about his father commissioned by the Southern Foodways Alliance, he expected not to be surprised by revisiting the familiar turf. What caught him off guard, however, was the filmmakers' interest in a casual reference to his father's writings, stashed away in a box in the attic.

Durham filmmakers Kate Medley and Jesse Paddock were surprised, too, that this wealth of materials had been sitting, almost forgotten and entirely unexplored, in Bill Neal's post-divorce home so long. Matt, who lives their now with his wife, Sheila, and two children, escorted Medley upstairs. What they found became the key of They Came for Shrimp and Grits: The Life and Work of Bill Neal, a short but dense and powerful documentary that explores and expands the scope of Neal's accomplishments.

"The family was very generous. They gave us full access," recalls Medley, who works as a photographer and filmmaker for Whole Foods Market. "Matt had boxes of things in his attic that he'd never looked at. It was a treasure trove of handwritten recipes, writing and correspondence and sketchbooks. There also were medical bills and records."

The scope of unpublished documents in the boxes dumbfounded Matt, offering new insight into the father he'd lost nearly a quarter-century earlier. They covered not only his food writing but also drafts of pieces about other interests—gardening, travel, his declining health. While Matt lived and worked elsewhere before returning to live at his dad's old house, renters had miraculously left the boxes intact.

"Most of it is cookbook notes, menus, journals, sketches. In some cases, I really remember what he was writing about, or when it was," says Matt, now 44. "I thought I had about a third of what I actually had."

Medley and Paddock finished the 13-minute documentary just minutes before the film premiered last month at the annual SFA symposium in Oxford, Mississippi. (A local screening is in the works for January in Chapel Hill.) Neal is open to working with them on an extended version of the documentary. After all, they helped him learn about his own late father.

How the sausage was made: Filmmaker Jesse Paddock holds the rescued sausage recipe of Bill Neal.

"They were sensitive and smart to the story," he says. "I found it very moving and engaging, though I'm a bit biased."

John T. Edge, the executive director of SFA, agrees that the film represents a balanced look at Neal's brief, brilliant life and a significant achievement for Medley. She previously produced a series of SFA shorts called Counter Histories, regarding the role of food in the civil rights movement.

"Last year, we asked her to explore the burdens of racism and the heroic stories of Southerners who fought that bastard Jim Crow," Edge explains. "This year, our assignment required more subtlety. She juggled narratives of fame, creativity, sexuality, family and mythology. She accomplished all with aplomb and sensitivity."

Medley and Paddock interviewed many people who were part of Neal's culinary circle, some of whom are still active in the area's food scene. There's Moreton Neal, his former wife and the author ofRemembering Bill Neal: Favorite Recipes From a Life in Cooking, and Crook's Corner chef Bill Smith, who succeeded Neal in that role just as he'd done previously at La Residence.

Last May, Gene Hamer, Crook's owner and Neal's former partner, was inexplicably omitted from a panel discussion on the 30th anniversary and enduring impact of Bill Neal's Southern Cooking at a UNC conference. They Came for Shrimp and Grits corrects that, allowing Hamer to offer red-eyed recollections of his last conversation with Neal and his sense of his friend's lingering presence at Crook's.

They Came For Shrimp & Grits: The Life & Work of Bill Neal from Southern Foodways on Vimeo.

New York Times food writer Kim Severson presents a thoughtful assessment of Neal's role as a magnet for exceptional talent, even if he famously declined to give a break to Magnolia Grill's Ben and Karen Barker. (Still, the couple later required all Magnolia cooks to study Bill Neal's Southern Kitchen.)

And those who did put in time with Neal at Crook's before achieving renown elsewhere share insights about Neal's passion for promoting regional foodways and his seemingly manic temperament in the kitchen. John Currence of City Grocery in Oxford, Mississippi, for instance, speaks with palpable regret about never mending fences after an argument with Neal that ended with the younger chef flinging a cup of hot coffee at his boss. But there are many references to Neal's influence in Currence's cookbook, Pickles, Pigs & Whiskey.

"You can still see that it really hurts him," notes Matt. "But John has paid his own dues in the meantime. He's really pushed and promoted my dad's legacy."

Neal's importance extends far beyond his recipes, though. He believed food could say a lot about who someone was and where that person was from. He made the claim in 1986 to Bill Friday during an episode of North Carolina People in a rare video appearance that opens They Came for Shrimp & Grits. Young and confident, Neal contends that, whether a conscious decision or reflexive habit, the food we choose to consume connects each of us with a time and place. Now a tenet of foodways studies, that notion was still novel at the time. In only 13 minutes, They Came for Shrimp & Grits gets to the core of Neal's decades of impact.

"It's really touching for me and my family," Matt says. "It's like when Dean Smith's players started missing him again; they, like others, talk with praise. They don't have to do that, but they've all gone out of their way to do so."

This article appeared in Indy Week with the headline "A simmering history."

Durham's role in civil rights struggle documented in 'Counter Histories '

This weather-delayed event has been rescheduled for 7pm April 7.
Culinary Historians of Piedmont North Carolina is proud to present "Counter Histories: Durham's Royal Ice Cream Sit-Ins" at Flyleaf Books, Chapel Hill.

Royal Ice Cream, Durham, is focus of
a documentary short in "Counter Histories,"
a project of the Southern Foodways Alliance

Because of the 1960 Greensboro sit-in that forced Woolworth's to set aside its policy of racial discrimination in the South, most people know that North Carolina figures prominently in the civil-rights timeline.

Fewer are aware, however, that Durham also played a pivotal role. Three years earlier, a group of eight African-Americans decided to challenge the segregation policy that limited them to buying treats at Royal Ice Cream's back door while white customers were welcomed to sit inside.

"We weren't sure what would happen, but we knew it needed to happen," recalls Virginia Williams, who shares her recollections in one of five documentary shorts that compose Counter Histories, a project of the Southern Foodways Alliance. "We knew it was time to test the establishment."

Williams will join Kate Medley, Durham photojournalist and producer of Counter Histories, at the rescheduled April 7 meeting of Culinary Historians of Piedmont North Carolina (CHOPNC). Jesse Paddock of Carrboro, who directed the Durham feature, also will participate in the event at Flyleaf Books in Chapel Hill.

Medley says the focus on youth-led protests at segregated lunch counters was envisioned as a fitting way to commemorate the 50th anniversary of Civil Rights Act, which President Johnson signed just before Independence Day in 1964. The act made segregation in public places illegal.

The other films document events in Jackson, Mississippi; Rock Hill, South Carolina; Nashville, Tennessee and Cambridge, Maryland.

Medley produced the piece on Jackson, her hometown, where many still feel the scars of the especially brutal incident. "A lot of the racial tensions still are pretty raw," she says. "It's not something people want to talk about." 


Frank Blackwell photo of the brutal sit-in
at the Woolworth's lunch counter in Jackson, Miss.

Two weeks after the May 1963 sit-in at the local Woolworth's lunch counter, which commanded national media attention, NAACP field agent Medgar Evers was shot in the head after parking in his own driveway. His assassination galvanized national interest in racial discrimination in the South, leading to adoption of the Civil Rights Act.

"One of the underlying goals of the project was not to just tell a story of yesterday and stop the conversation there," says Medley, who discussed the film on Martin Luther King Jr. Day, in the context of youth leadership, with students at the North Carolina School of Science and Math in Durham. The school has a permanent display featuring part of the lunch counter at the old Durham Woolworth's, where a sit-in occurred one week after the more famous one in Greensboro.

"I asked, 'Can you imagine being among these people?' We're still facing a multitude of civil rights issues, but these young people are empowered to make change," Medley adds. "We were insistent in our mission that these films are very forward-thinking and relevant to 2014, 2015, tomorrow. We wanted the ideas to be relevant to what's happening in our world today."

This article first appeared in Indy Week.

A Spoken Dish: Mini-documentaries capture evocative taste memories

Durham photojournalist and filmmaker Kate Medley will be the featured speaker of Culinary Historians of Piedmont North Carolina (CHOPNC) at 7 p.m. Wednesday at Flyleaf Books, Chapel Hill. The event is free and open to the public.

Kate Medley spends a lot of time in her car. As a photographer and filmmaker for Whole Foods, the Durham resident travels to visit stores between New Orleans and New York, pausing along the way to document farmers, cooks and culinary landmarks.

To pass time, she was thinking one day about community cookbooks, those tried and true compendiums that celebrate the best of locally-grown foods and the home cooks who prepare and serve them with love. These cherished volumes were once the cornerstone of church fundraisers and a go-to source for potluck dinner recipes. But in the current context of global online food communities and apps that provide technique tutorials on your smart phone, they seem out of step.

“I was really intrigued by a vision of what a community cookbook could look like today,” recalls Medley, a trained photojournalist, during a drive from Mississippi to North Carolina. “How could I apply the tools of my craft to a tradition that is especially celebrated in the South?”

The outcome was A Spoken Dish, a collection of taste memories and family traditions from diverse voices in Southern food and culture. She stayed close to home to launch the project in June 2013, choosing Chapel Hill teacher and cookbook writer Sheri Castle and Sean Lilly Wilson, owner of Durham’s Fullsteam Brewery, as her first subjects. The short vignettes range from one to two minutes.

In an especially endearing clip, Castle shows her pickling rock, pulled from the ancient New River and used by three generations of family cooks. She knows there are “perhaps more sanitary and conventional ways” of submerging food in brine now, but the treasured stone serves as her “good luck talisman.”

“I believe in my rock. It has history and place,” Castle says, adding it has a natural minerality that may help with the fermentation process. “So many quarts and gallons and crocks of good food have been made with this rock. Who am I to stop it?”

Medley knows how lucky she was to start with Castle, a natural-born storyteller who has shared tales of her Appalachian youth and exhaustive culinary research with major publications and institutions, notable the Southern Foodways Alliance (SFA). Wilson manages to draw a giggle from the otherwise silent presence of the filmmaker with a claim that he keeps a potato ricer in his back pocket. Through years of trial and error, he’s found it to be the best tool to extract fruit from paw paws and persimmons used to infuse his craft beers.

“Sheri and Sean both were gung-ho to be my guinea pigs,” Medley says. “They really brought it to the table. They helped me see what this project could become.”

Castle, who calls Medley an “observer of the first order,” says the documentarian was “wisely vague” when she pitched the concept. “With the camera rolling, she offered a few prompts and then turned me loose,” Castle says. ‘”We spent a juicy hour together and she whittled it down to five short cogent pieces, each a sufficient documentary.”

Sponsored by Whole Foods, SFA and Georgia Organics, the project has continued to grow. It features about 55 clips from men, women and even children from across the South. They describe with passion everything from how to make biscuits or cook a pig’s ear to post-Katrina life and horticultural literacy.

“It’s all about how we, by way of these Southern stories, celebrate the diversity of the South and the diversity of what lands on our plate,” says Medley, who films, interviews and lightly edits conversations for the website. “It’s really the same format as the community cookbook: someone’s favorite family recipe or memory with a few sentences about whatever puts it in a context that is meaningful.”

A new set of 35 segments will debut on March 6 with a reception at the Memphis Brooks Museum of Art; they will be added to the website a few days later.  The new clips will expand the project’s scope to represent speakers from six states in nearly 90 vignettes.

Among them are Lolis Eric Elie, New Orleans native and author of the acclaimed Treme cookbook; Becky Currence, mother of Oxford, Miss., chef John Currence, on classic Louisiana gumbo; and Ray Robinson, owner of the iconic Cozy Corner Bar-B-Q in Memphis.

A Spoken Dish, which may next explore the Lowcountry of South Carolina, is just one way that Medley documents culinary culture. An exhibit of her photos, Southern Food from the Backroads & Byways, was shown in 2012 at the UNC Center for Southern Studies.

“Apart from the bread-and-butter of my job, I always try to have a few personal projects brewing that are exploring different factors of community storytelling,” she says. “There’s so much out there. I just need more time, right?”